stephaniemill:

got this wonderful little zine in the mail from scott featuring a page of notes from his phone:

  • i look forward to the day we’re drunk & laughing at things
  • i am drunk, but not laughing
  • when i die, don’t talk about me
  • permanent living peace is permanent living death
  • it’ll be friday nite every nite until we’re dead
  • an elephant losing his balloon 

tears are easier to put up with than joy. joy is destructive: it makes others uncomfortable. “weep and you weep alone” —what a lie that is! weep and you will find a million crocodiles to weep with you. the world is forever weeping. the world is drenched in tears. laughter, that’s another thing. laughter is momentary—it passes. but joy, joy is a kind of ecstatic bleeding, a disgraceful sort of supercontentment which overflows from every pore of your being. you can’t make people joyous just by being joyous yourself. joy has to be generated by oneself: it is or it isn’t. joy is founded on something too profound to be understood and communicated. to be joyous is to be a madman in a world of sad ghosts

—henry miller, sexus

after the christmas thing was over, the goddam picture started. it was so putrid i couldn’t take my eyes off it. it was about this english guy, Alec something, that was in the war and loses his memory in the hospital and all. he comes out of the hospital carrying a cane and limping all over the place, all over london, not knowing who the hell he is. he’s really a duke, but he doesn’t know it. then he meets this nice, homey, sincere girl getting on a bus. her goddam hat blows off and he catches it, and then they go upstairs and sit down and start talking about charles dickens.  he’s both their favorite author and all. he’s carrying this copy of Oliver Twist and so’s she. i could’ve puked. anyway, they fell in love right away, on account of they’re both so nuts about charles dickens and all, and he helps her run her publishing business. she’s a publisher, the girl. only, she’s not doing so hot, because her brother’s a drunkard and he spends all their dough. he’s a very bitter guy, the brother, because he was a doctor in the war and now he can’t operate any more because his nerves are shot, so he boozes all the time, but he’s pretty witty and all. anyway, old alec writes a book, and this girl publishes it, and they both make a hatful of dough on it. they’re all set to get married when this other girl, old marcia, shows up. marcia was alec’s fiancée before he lost his memory, and she recognizes him when he’s in this store autographing books. she tells old alec he’s really a duke and all, but he doesn’t believe her and doesn’t want to go with her to visit his mother and all. his mother’s blind as a bat. but the other girl, the homey one, makes him go. she’s very noble and all. so he goes. but he still doesn’get his memory back, even when his great dane jumps all over him and his mother sticks her fingers all over his face and brings him this teddy bear he used to slobber around with when he was a kid. but then, one day, some kids are playing cricket on the lawn and he gets smacked in the head with a cricket ball. then right away he gets his goddam memory back and he goes in and kisses his mother on the forehead and all. then he starts being a regular duke again, and he forgets all about the homey babe that has the publishing buisiness. i’d tell you the rest of the story, but i might puke if i did. it isn’t that i’d spoil it for you or anything. there isn’t anythign to spoil, for chrissake. anyway, it ends up with alec and the homey babe getting married, and the brother that’s a drunkard gets his nerves back and operates on alec’s mother so she can see again, and then the drunken brother and old marcia go for each other. it ends up with everybody at this long dinner table laughing their asses off because the great dane comes in with a bunch of puppies. everybody thought that it was a male, i suppose, or some goddam thing. all i can say is don’t see it if you don’t want to puke all over yourself

—j.d. salinger, the catcher in the rye

january 2012

january 2012